I just finished watching some Hip Hop Summit on BET last night and what I gathered from the posturing, posing, and fake platitudes is that Hip Hop is in a serious state of flux right now. The voices who have long condemned Hip Hop are slowly drowning out the voices that support it. I didn’t find myself agreeing or disagreeing with anyone on the panel that included Master P, Diane Warren (ex Editor In Chief of Essence Magazine), Rev. Al Sharpton, Nelly, T.I., and some dude I didn’t recognize who nodded his head every time one of the other panelists said something smart. (I guess he was the debate fluffer). I just felt that I had heard everything from these people before so I didn’t expect anything new and by golly I was not disappointed.
Look, any music lover worth their weight in IPODs knows what’s wrong with Hip Hop. It’s not just the overabundance of curse words (artists have been cursing on record for years), It’s not the objectification of women (video vixens are as old videos themselves), It’s not the obsession with material wealth, or the glorification of violence. No- what’s wrong with Hip Hop is that the artists (and I use that term loosely) who revel in those subject matters are the ones who are selling the most records, making the most money, and are getting the most radio and television air play. The major record labels have cottoned on to the potential windfall that is Hip Hop and they jumped all over it like flies to shit. Even though Hip Hop has been around for nearly 30 years, it’s just been in the last 10 or so that Hip Hop has become the dominant musical genre.
And you know the old saying,”Too much of a good thing….can lead to a bunch of crap.” In other words, the record companies in their infinite stupidity have once again latched on to a musical and cultural phenomenon and have proceeded to over saturate the market until they drive it into oblivion. It happened with disco. It happened with heavy metal. It happened with grunge. And now it’s going to happen to Hip Hop. The signs are all there folks. Haven’t you noticed that pretty much everyone looks and sounds the same? Can someone tell me what’s the difference between Lil’ Wayne, Lil’ Scrappy, or Lil’ Pistol Starter? Different colored wife beaters, perhaps? Look at the videos (if you can stand it). You already know what’s going to happen before it does:
Exterior: A dark and dimly lit street. A black Hummer appears out of the mist and stops in front of a nightclub. The camera closes in as the door opens and Lil’ Bama and his crew emerge from the car.
A tight shot of the 56 inch rims follows.
Then there is a POV shot as Lil’ Bama tries really hard to rap the audio track as the crowd outside moves in to give him and his boys pounds and hugs.
Cut to: Interior scene of Lil’ Bama’s rented crib as he sits at the side of a pool (fully dressed) as bikini clad video girls loll about and stroll around working themselves into such a frenzy that the only thing left for Lil’ Bama to do is to pour champagne (No Cristal) down their chests.
Cut to: Interior club scene. Lil’ Bama and his boys walk in slow motion to the VIP section. Frivolity ensues as women suddenly remember that they have clothes on and proceed to undress as Lil’ Bama and his boys throw dolla dolla bills into the crowd.
Another shot of the 56 inch rims
and fade to black.
See what I mean?
Even the so called beefs are contrived now. Does anyone really care who’s the King of South Houston or the Ruler of Little 5 points in Atlanta? Are two grown men really ready to fight each other because Big Boi in so and so’s crew might have snitched on Boo’s baby mama’s cousin who was in another crew? Whatever happened to putting it on wax? I guess since you have You Tube and part 57 of “BEEF” on BET, you don’t have to. Just bitch and whine on video, huh?
Now that I think about it, maybe that the reason they don’t put it down on wax is because they really can’t rap in the first place. When I have had the patience to decipher all the “shawty’s” and “right churr’s”, I find that most of these current rappers don’t have the skills that their predecessors did. I know, even back in the day we had to suffer through DAS EFX and Smooth B, BUT we were also blessed with Chuck D and KRS-1 and Q-Tip and Rakim. Who are the current top MCs (not rappers) today? Kayne? Maybe when he’s not engaging in bitchy fits. Jay-Z? Maybe when he’s not retiring every few minutes. Common? That’s one. NAS? That’s another. But often times they get lost in the mix of those who were practically picked up off the corner, dusted off ( a bit), and given a record contract.
At least in the past, Hip Hop fans had some real choices. If you were more conscious-oriented there was Public Enemy and X-Clan. If you liked more experimental Hip Hop, you could listen to De La Soul and Tribe. And if you wanted hardcore, there was NWA and the Geto Boys. Each act was different and they brought something new to the listener, but nowadays???? Not so much.
The overwhelming success of Hip Hop in my opinion will ultimately lead to it’s demise. Of course there is the natural ebb and flow of interest for musical genes but the way things are going, Hip Hop just might die and stay dead only to become a joke for late night television. The lack of variety and the pursuit of the almighty dollar is literally choking the life out of an art form that was born from the streets-created by those who needed and wanted to be heard. My fear is some day soon, no one is going to want to listen anymore.
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